Karen Lord, a Barbadian author and research consultant, is known for her debut novel Redemption in Indigo, which won the 2008 Frank Collymore Literary Award, the 2010 Carl Brandon Parallax Award, the 2011 William L. Crawford Award, the 2011 Mythopoeic Fantasy Award for Adult Literature and the 2012 Kitschies Golden Tentacle (Best Debut), and was longlisted for the 2011 Bocas Prize for Caribbean Literature and nominated for the 2011 World Fantasy Award for Best Novel. Her second novel The Best of All Possible Worlds won the 2009 Frank Collymore Literary Award, the 2013 RT Book Reviews Reviewers' Choice Awards for Best Science Fiction Novel, and was a finalist for the 2014 Locus Awards. Its sequel, The Galaxy Game, was published in January 2015.

Redemption in Indigo by Karen Lord

Karen Lord's debut novel is an intricately woven tale of adventure, magic, and the power of the human spirit. Paama's husband is a fool and a glutton. Bad enough that he followed her to her parents' home in the village of Makendha—now he's disgraced himself by murdering livestock and stealing corn. When Paama leaves him for good, she attracts the attention of the undying ones—the djombi— who present her with a gift: the Chaos Stick, which allows her to manipulate the subtle forces of the world. Unfortunately, a wrathful djombi with indigo skin believes this power should be his and his alone.

Bursting with humor and rich in fantastic detail, Redemption in Indigo is a clever, contemporary fairy tale that introduces readers to a dynamic new voice in Caribbean literature. Lord's world of spider tricksters and indigo immortals is inspired in part by a Senegalese folk tale—but Paama's adventures are fresh, surprising, and utterly original.


Redemption in Indigo by Karen Lord (World Fantasy finalist and winner of multiple awards) intercalates trickster/deadly sin fables with originality and flair while remaining firmly embedded to its mythical Senegalese and Caribbean roots. Paama's husband is a fool and a glutton. Bad enough that he followed her to her parents' home in the village of Makendha; now he's disgraced himself by murdering livestock and stealing corn. When Paama leaves him for good, she attracts the attention of the undying ones—the djombi—who present her with a gift: the Chaos Stick, which allows her to manipulate the subtle forces of the world. Unfortunately, a wrathful djombi with indigo skin believes this power should be his and his alone. But a group of women allies stands ready to thwart him and protect Paama. – Athena Andreadis



  • "Filled with witty asides, trickster spiders, poets and one very wise woman, "Redemption in Indigo" is a rare find that you could hand to your child, your mother or your best friend."

    – Washington Post
  • "The perfect antidote to the formula fantasies currently flooding the market…. Précis fails to do justice to the novel's depth, beauty and elegant simplicity. Written from the point of view of an omniscient storyteller in the style of an oral narrative, this is a subtle, wise and playful meditation on life and fate."

    – The Guardian
  • "A clever, exuberant mix of Caribbean and Senegalese influences that balances riotously funny set pieces (many involving talking insects) with serious drama initiated by meddlesome supernatural beings."

    – New York Times




A rival of mine once complained that my stories begin awkwardly and end untidily. I am willing to admit to many faults, but I will not burden my conscience with that one. All my tales are true, drawn from life, and a life story is not a tidy thing. It is a half-tamed horse that you seize on the run and ride with knees and teeth clenched, and then you regretfully slip off as gently and safely as you can, always wondering if you could have gone a few metres more.

Thus I seize this tale, starting with a hot afternoon in the town of Erria, a dusty side street near the financial quarter. But I will make one concession to tradition…

…Once upon a time—but whether a time that was, or a time that is, or a time that is to come, I may not tell—there was a man, a tracker by occupation, called Kwame. He had been born in a certain country in a certain year when history had reached that grey twilight in which fables of true love, the power of princes, and deeds of honour are told only to children. He regretted this oversight on the part of Fate, but he managed to curb his restless imagination and do the daily work that brought in the daily bread.

Today's work will test his self-restraint.

'How long has she been…absent?' he asked his clients.

In spite of his tact, they looked uncomfortable, but that was to be expected of a housekeeper and butler tasked by their master to trace his missing wife, a woman named Paama. 'Nearly two years,' replied the housekeeper. 'She said she was going to visit her family, but the entire family has moved away from Erria,' the butler explained. 'No forwarding address,' the housekeeper whispered, as if ashamed. 'Mister Ansige is distraught.'

Kwame eyed the pair, then glanced down at the papers before him. These were letters from minor chiefs and high-ranking officials politely demanding his assistance. If nothing else, Mister Ansige was well connected. It was a tawdry shadow of the power he had dreamed of—was the true love of this deserted husband similarly tarnished? And what of his own honour? He was very wary of trying to find people who did not wish to be found, but the names on those scraps of paper ensured that any refusal from him would not be quickly forgotten.

Fairy tales and nancy stories, his adult self said, trying to sneer at these scruples before he had time to question whether it was cowardice or prudence that made him cautious. Do the work and stop your dreaming.

'I'll see what I can do,' he sighed with a faint grimace.

He had little choice. The rent of an office, even in a town like Erria, was more than his business could support, and he needed this case to conclude his affairs honestly before he could resume his itinerant ways. He yearned for those days of walking free, with not a townman to pressure him about which case to take and which trail to leave. Leaner days, too, if truth be told, but Kwame had always found liberty more satisfying than comfort.

Poor Paama, his conscience murmured. Do you want to go back, or do you prefer liberty, too?

* * *

While Kwame is sniffing out the trail of Ansige's wife, let us run ahead of him and meet her for ourselves. She and her family have resettled in Makendha, the village of her childhood. Much is familiar there, little has changed except, of course, for those who return.

Paama's father, Semwe, had left when a youth, returned, then left again when a man. Now an elder, he will never leave again…at least not the mortal part of him. He had wanted this final return to be a peaceful retirement; he acknowledged with regret that it was a retreat. The townhouse in Erria had lost all peace with regular visits from messengers bearing Ansige's variously phrased demands for Paama's return. Semwe refused to argue with such a man, preferring to go to a place of quiet and safety where unwanted company could be more easily avoided. In a town, houses crowd together and everyone is a stranger, but in Makendha, a stranger was anyone who could not claim relation to four generations' worth of bones in the local churchyard.

Semwe's wife, Tasi, was coming to Makendha for the second time, no longer the timid young wife, but not yet the matriarch. She needed grandchildren for that, and how, she murmured, blaming herself, could she get those while her daughters stayed husbandless? She had no hope that Paama's marriage could be salvaged. She had chosen poorly for her first child, and she only prayed that she might choose more wisely for the other. Paama at least had strength and experience to sustain her, but her sister, Neila, ten years younger, had only a combination of beauty and self-centredness that both attracted and repelled. She took the move from Erria as a personal attack on her God-given right to a rich, handsome husband. Tasi deplored such selfishness but silently admitted that prospects in Makendha were certainly limited.

And what of Paama herself? She said little about the husband she had left almost two years ago, barely enough to fend off the village gossips and deflect her sister's sneers. She didn't need to. There was something else about Paama that distracted people's attention from any potentially juicy titbits of her past. She could cook.

An inadequate statement. Anyone can cook, but the true talent belongs to those who are capable of gently ensnaring with their delicacies, winning compliance with the mere suggestion that there might not be any goodies for a caller who persisted in prying. Such was Paama. She had always had a knack, but the promise had come to full flower through constant practice. It was also a way for her to thank her family. Life, even life without grandchildren and a pair of rich, handsome sons-in-law, could be sweet when there was a savoury stew gently bubbling on the stove, rice with a hint of jasmine steaming in the pot, and honey cakes browning in the oven. It almost cured Semwe's stoically silent worry, Tasi's guilty fretting, and Neila's bitter sighs.

Besides, it kept Paama busy enough to ignore the nagging question of how she was going to tell Ansige she was never coming back. She will have to consider that question soon, for efficient Kwame has already traced her whereabouts and, not without a qualm, reported to Ansige.

And Ansige, in his desperation, will not be sending messages or servants this time. He is coming to speak to her, face to face.