Hugh Howey is the author of the award-winning Molly Fyde Saga and the New York Times and USA Today bestselling Wool series. The Wool Omnibus won Kindle Book Review's 2012 Indie Book of the Year Award — it has been as high as #1 in the Kindle store — and 17 countries have picked up the work for translation. Look for WOOL in hardback in 2013 from Random House UK and keep your fingers crossed that Ridley Scott and Steve Zaillian will do something exciting with the film rights!

Hugh lives in Jupiter, FL with his wife Amber and their dog Bella. When he isn't writing, he's reading or taking a photograph.

I, Zombie by Hugh Howey

Warning: Not fit for human consumption

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.


Howey is best known for his apocalyptic science fiction series WOOL, but it’s fair to say his other works deserve equal attention. I, Zombie is not from the perspective of the survivors, but through the eyes of the infected, trapped, helpless. It’s about being human and then losing even that. The book forces the reader to empathize on levels they may have not thought imaginable. – Martin Kee



  • "If this book doesn’t move you to live a better, more appreciative life, than you might already be a zombie."

    Timothy C Ward
  • "Howey’s writing is haunting. I, Zombie puts the reader directly in the mind of the dead and makes you face the fear of what it would be like to be a prisoner in your own mind."

    Dread Central
  • "The real horror of I, Zombie is that inside each of the living dead is a mind, a person imprisoned more securely than any enemy of any state has ever been."

    –Amazon Customer, Amazon reviews


1 • Gloria

There was a hole in Gloria's smile the size of an apple. When she ate, much of what she chewed passed through her cheek and spilled down her neck. And when a scent caught her attention—usually the smell of the living—she would lift her head to take a sniff and feel the air pass through her open face to hammer her rotting teeth.

Gloria was dead, and so were her teeth, but they were all still sensitive to the pain.

Bowing her head back over her meal, she tried not to watch what she was doing. The stench and texture were visceral enough, the taste both revolting and sickly soothing. A pack of five or so ripped into the man, the scene calmer than a big feed. There were grunts and contented smacking sounds, not the angry roars from those on the outside clawing to get in. Instead, she and four other monsters huddled together like hyenas on the Serengeti. They rubbed shoulders and listened to the sounds of flesh tearing and tendons snapping, the hotness of the man up to her elbows, blood dripping from her chin.

Gloria ate, and much of what she chewed spilled down her neck.

The revulsion she felt was mental. Gloriawishedit were physical. She wanted to vomit, dearly wanted to vomit, but she couldn't. The meat of the man tasted too good. It satisfied too deep and strong a craving, this new hunger that reminded her of all her old and equally primal urges.

There were two years in high school when Gloria had tried to become a vegetarian. This monster she had turned into reminded her of those years, of the meals that came after she'd given up trying to be good. She remembered how badly she had felt for that chicken even as she tore through its meat. There was a night out with friends, laughing, spilling beer, a hundred screens of sports she cared nothing about, and baskets of wings. She had held one, fingers sticky with sauce, a bite taken out of the flesh, and she had looked down, had seen those tendons and bone, and had realized what she was doing.

Even then, Gloria had known it was wrong. But she loved it too much. The taste was always stronger than her compassion. And so she ate and felt sick at the same time. She loved the meat and hated herself.

The dead body in the blue jeans and ruined button-up reminded her of that chicken wing. It was barely recognizable as a person anymore, covered in its own sauce. The pack grew to seven, and the man's lower half was dragged away and fought over. More yummy disgustingness spilled out from his torso and spread across the warm pavement. The monster across from Gloria scrambled for the same slick ropes as she. The purple meat slid through both of their hands, their lips dribbling sauce back down on their food, fighting for scraps.

This other monster's fingers were missing from one of his hands, bitten off, leaving him with a stump. Gloria saw the familiar black char of an original wound, the bite that had infected this man, working its way up his wrist. Still, he clawed for the meat with what was left of his hand. Like Gloria, he was only half in control of what he was doing. They were along for the ride, each of them. At the wheel—but without the power steering.

2 • Michael Lane

Michael remembered being a boy. He remembered the times from before. Michael could remembereverything.

He remembered doctors in white coats telling him that his mother was still in there, that she was still alive behind those glassy eyes and that distant stare. In his more hopeful moments he would sit by her side, hold her hand, and believe them. He would pretend it was true.

And when her wheelchair squeaked and rattled with another shaking fit, Michael would squeeze her withered and trembling hands and talk to her, try to reason with her, ask her to please stop.

These were the times when he believed the doctors, when he thought his mother was still in there, peering out. He would talk to her like this when he was most hopeful. He would talk to her calmly.

And then there were days when he didn't believe, when he couldn't believe—and he would have to scream.

Michael Lane remembered screaming at his mother. He remembered this as he staggered through the apartment, knocking over furniture, chasing her hissing cat.

"Wake up!" he would yell at his mom, back when he could yell at anything.

"Wake the fuck up!"

And he would shake her. He would want to hit her, but he never did. At least, he didn't think so.

It had been tempting at times. Not because he thought it would do her any good or snap her out of the degenerative palsy into which she had fallen, but because punching a hole in the wall didn't make him feel any better. He wasn't pissed off at the wall. Walls were supposed to just sit there. That's what walls did.

His mother's old black cat stood in the corner by the radiator, its spine arched, fur spiked, pink tongue and white teeth visible as it hissed at him. The damn thing was thin as a shadow. Starving. Michael was starving, too. He closed in, remembering the doubts he'd had about his mother's condition. Those doubts had nagged at him for years.

What if his mother was just acting? What if this was her way of avoiding the world? He hadn't been able to stop thinking these things. Michael had watched his father crawl inside a bottle and die there just so he didn't have to get up and go to work. It wasn't long before his mom retreated behind a vacant gaze, leaving him and his sister to pay the bills, to change her stinking bags, to roll her from one sunny patch by the window to another. His mother had become a potted plant they fretted over. No, that wasn't right. Couldn't plants at least turn their heads and follow the sun? Weren't they better than her in that way?

Falling forward as much as lunging, Michael seized the weak and cornered cat. Sharp claws gouged his hands, burning where they broke the skin. He ignored this—he had no choice—and concentrated on the past. The times he had screamed at his mother were painful memories, so Michael orbited those. Pain was a distraction from what he knew he was about to do. And so he tried to remember if he had ever hit his mother, even a little. He couldn't. Couldn't remember. Maybe he had.

The cat clawed at his face as he bowed his head into its fur. It batted at his unblinking eyes, and Michael—the memory of Michael—recoiled in fear. But the body he was trapped inside did not pull back. The hunger was too great, that mad craving for meat too strong. Not this meat, perhaps. Not cat meat. But he was barricaded inside his apartment with little else. He had locked himself inside, thinking he was safe, that he'd be okay. But he wasn't. He wasn't safe. He wasn't okay.

Michael's teeth sank past the fur to tear at the animal's flesh. The cat was a screaming, writhing blur. It clawed at his open eyes, tore at his ears, while Michael ate.

He couldn't stop himself.

This was not him.

The blood ran down his throat, warm and foul, the cat's shrieks fading to rattling groans, and he could taste it. He could taste the meat. But this was not him. This was not Michael Lane.

Michael remembered being a boy, once.

He remembered the doctors telling him things, how a person could be locked away inside a body they couldn't control.

And Michael never believed them, not really.

Until now.

3 • Jennifer Shaw

A grist of bees. A bevy of deer. A mob of—

What was a mob again? Yaks?

Emus. It was emus, Jennifer decided. But what animal made up a gang? Or a boil? Wasn't there some creature that combined to form a bloat? Bloat was taken, she was pretty sure.

Jennifer drifted back to the games her father played. This was but one of many. She remembered hanging from his arm, her sister on the other side, as he swung them through Central Park Zoo. He called them monkeys—

"A band!" she and her sister would squeal.

"You little gorillas."

"A troop!"

"You smelly baboons."

"A flange!"

"I'm not smelly," her sister would add, pouting.

Up and down the tree of life they would climb, learning useless facts that made their peers roll their eyes and their teachers clap with delight. Their father never taught them state capitals or anything normal. Nothing other people might already know. He filled their heads with reptiles and minerals and trivia. Jennifer never saw a garter snake slither through the grass without thinking:There goes Massachusetts.

"A family is more than just its members," their father had said. "Together, we become somethingdifferent."

He said this a lot after their mother left. Swinging them through the zoo, he had shown his girls all the animals that hate to be alone, that prefer to go in groups. Each group had its own name, he taught them. In company they were something more than they could be in solitude.

So what was this, Jennifer wondered? What had she become? What was she a part of?

It couldn't be aplague, those were locusts. Couldn't be anintrusionbecause of the roach. And wasn't a group of midges called abite? She was pretty sure that was right. Shame, that one. And mosquitoes were ascourge. All the good ones were taken.

Herd. Herd was overdone, as was pack. Too many animals shared those. Too obvious.

And then it came to her.

It came to her as the skull Jennifer had become trapped inside lolled down, as the nose that used to be hers twitched at the smell of meat.

An arm lay on the pavement, a torn sleeve wrapping it like a cloak, a cloud of flies drawn to the rotting meat. Its owner was long gone.

Jennifer had no appetite for it. She lumbered onward, no longer in control, forced to see whatever her head saw as it followed some scent, some impulse, some new reflex.

And for a moment—because of the dismembered arm, perhaps—the direction of her gaze allowed Jennifer to study the feet,herfeet, and the feet of those around her. The bare feet and the feet in ragged slippers; the work boots and the worn trainers; the feet sliding and dragging; the feet of the people bumping into her, all of them moving in one direction,upwind, toward the smell of living meat.

She was one of them, and Jennifer knew what she was, what the group would be called.

She filed this trivia away. She took it with her as she disappeared into the recesses of her recollections, back to the times before she joined this trembling mass, this vile and grotesque thing her flesh had become. She skipped into the past, swinging on her father's strong arms, beating her sister to calling this one out:

"Ashuffle," she cried. "A shuffle of zombies!"

And the animals of Central Park Zoo paced inside their cages, watching her and her dead family stagger by.

And they were all afraid.