Eugen Bacon is an African Australian author. She is a Solstice, British Fantasy, Ignyte, Locus and Foreword Indies Award winner. She's also a twice World Fantasy and Shirley Jackson Award finalist, and a finalist in the Philip K. Dick Awards and the Nommo Awards for speculative fiction by Africans. Eugen is an Otherwise Fellow, and was announced on the honor list for 'doing exciting work in gender and speculative fiction'. Danged Black Thing made the Otherwise Award Honor List as a 'sharp collection of Afro-Surrealist work'. Visit her at eugenbacon.com.

Kate Wilhelm Solstice Award. British Fantasy Award. Locus Award. Ignyte Award. Otherwise Fellow. Multi-award Finalist—Philip K. Dick, Shirley Jackson, World Fantasy Awards

The Nga'phandileh Whisperer by Eugen Bacon

When a precocious Guardian in Sector Z in New Inku'lulu—an elite space outpost—misuses her sound magic, the Guardians punish her by stripping away her magical ability.

Chant'L is exiled to Savage Mound, a sound island on planet Wiimb-ó. She discovers that magic is inborn, never truly lost or taken, and summons the Nga'phandileh, creatures of unreality. But her magic is more than she bargained for.

Now the Guardians in Sector Z find themselves with a massive catastrophe they must not only keep secret, but resolve.

A glossary of Bantu, Afrocentric and made-up words complements this genre-bending, cross-cultural novella. Something beautiful, something dark in lyrical language packed with affection, dread, anguish and hope.

 

REVIEWS

  • "The Nga'phandileh Whisperer is mythic and ancient, feverish and insistent, lyrical and atmospheric, eerie yet enchanting—an enticingly strange exploration of the power of sound by a poetic storyteller."

    – Ai Jiang, Nebula and Bram Stoker and Hugo Award finalist of A Palace Near the Wind and Linghun
  • "The Nga'phandileh Whisperer by Eugen Bacon is bursting with imagination, culture, magic, and the mystique of distant worlds. This enchanting yarn blends science-fiction, fantasy, and horror to create a beautiful and timeless song."

    – Pedro Iniguez, Bram Stoker Award finalist and author of Echoes and Embers: Speculative Stories
  • "Eugen Bacon is a master of using bold, evocative prose to guide the reader through a uniquely speculative world."

    – P. A. Cornell, Nebula finalist, author of ‘Once Upon a Time at The Oakmont’
 

BOOK PREVIEW

Excerpt

It was your final examination of entrapment. Hulor Mwe'ra stood by the gilded lectern in the chancel, nod, nod, nodding, as you walked into the chapel with your pick of fowl from the courtyard. He nodded, watching how you restrained the fowl's wings with a glance. You nuzzled it up to your neck and gently pushed it down on the blackwood bench.

The bird lay feet up, supine under your spell, heartless, because you had magicked out its heart that pounded by itself inside an invisible wall for seven days. That was what entrapment did. It put something alive inside a wall and, once mastered, you could work it on the Nga'phandileh, the malevolent beings of unreality. You could work together magic with the rest of the Guardians to make sure the Nga'phandileh stayed entrapped inside the Hogiiri Hile Halah.

What astonished both you and the Guardians is that you didn't need to keep chanting the prayer of Our Mother to maintain the entrapment spell. The fowl's heart still beat as you went about your chores, sweeping, scrubbing, stir-frying, weeding. Then on the seventh day you blinked from a distance and, without touching, released the heart from the invisible wall and installed it back into the fowl. The bird startled and crowed indignation. It made sure you understood its disgust in the wet squeeze of green and white poop on the altar, before it scattered and flew in a rage out of the window and all the way down to the courtyard.

Later, in the courtyard, you stood and watched the fowl. As if it had forgotten, or was still lured by some spell, it walked in your direction unbidden, pecking unabashed. You wondered what it had felt, where it'd gone, when it lay feet up on the striated bench under your sound magic. It let you pet it, even squatted under your touch. You pressed hands around its wings, without magic, and it gave a low rumbly sound. You cradled it to your chest, rubbed its belly and spoke softly to it, even as you wrung its neck.

[continues…]