Considered one of the most prolific writers working in modern fiction, with more than 30 million books sold, writer Dean Wesley Smith published far more than a hundred novels in forty years, and hundreds of short stories across many genres.

At the moment he produces novels in several major series, including the time travel Thunder Mountain novels set in the Old West, the galaxy-spanning Seeders Universe series, the urban fantasy Ghost of a Chance series, a superhero series starring Poker Boy, a mystery series featuring the retired detectives of the Cold Poker Gang, and the Mary Jo Assassin series.

His monthly magazine, Smith's Monthly, which consists of only his own fiction, premiered in October 2013 and offers readers more than 70,000 words per issue, including a new and original novel every month.

During his career, Dean also wrote a couple dozen Star Trek novels, the only two original Men in Black novels, Spider-Man and X-Men novels, plus novels set in gaming and television worlds. Writing with his wife Kristine Kathryn Rusch under the name Kathryn Wesley, he wrote the novel for the NBC miniseries The Tenth Kingdom and other books for Hallmark Hall of Fame movies.

He wrote novels under dozens of pen names in the worlds of comic books and movies, including novelizations of almost a dozen films, from The Final Fantasy to Steel to Rundown.

Dean also worked as a fiction editor off and on, starting at Pulphouse Publishing, then at VB Tech Journal, then Pocket Books, and now at WMG Publishing, where he and Kristine Kathryn Rusch serve as series editors for the acclaimed Fiction River anthology series.

For more information about Dean's books and ongoing projects, please visit his website at

Killing the Top Ten Sacred Cows of Publishing by Dean Wesley Smith

The publishing world continues to evolve, but myths about who can make a living as a fiction writer maintain a life of their own. Whether you pursue traditional or indie publishing success, you need to know the pitfalls and traps that undermine many writers' careers.

In this WMG Writer's Guide, USA Today bestselling author and former publisher Dean Wesley Smith addresses the ten most damaging myths that writers believe in modern publishing.

Topics Include:
Right vs. Wrong
Writing Speed
Books as Events
Writing to Trends
Making Money
Writing is Hard
Career Killers


Dean Wesley Smith is a troublemaker. He’s also one of my closest friends. He and I have worked in the publishing industry for more than a quarter century, and he’s been digging into the nuances of bookselling, publishing, and writing for much of that time. What he has discovered is astonishing and thought-provoking. This will give you a lot to chew on about the business. – Kevin J. Anderson



  • "I remember my first reaction when I stumbled across [Dean Wesley Smith’s] blog: this guy is going to make enemies! He takes on every myth in the business from “you must rewrite something to make it good” to “an agent always acts in a writer’s best interests”.… it’s great stuff."

    – David Gaughran
  • "Reading these [Killing the Sacred Cows blog] posts gave me hope that someday, I, too, can make a living just from writing."

    – Erin M Hartshorn, Vision: A Resource For Writers
  • "Dean Wesley Smith's online essays, which comprise a book he calls Killing the Sacred Cows of Publishing, are required reading for the serious writer looking to make a living by writing fiction. Smith, a longtime professional novelist in the science fiction, fantasy, and mystery genres, uses his experience in publishing as both writer and editor to smash the myths that permeate this evolving industry."

    – Alex Kane, LitReactor



In 2010 I started doing short blog posts about the myths that hurt fiction writers that I had seen over my forty years in publishing. I honestly have no idea why I started these articles, but right from the start I called the myths of publishing "Sacred Cows."

Over the next few years I wrote upwards of 50 "Sacred Cows" knocking down one myth or another, or at least attempting to. And then two years ago I went back and updated some of the myths as indie publishing started to take hold.

Then, over the last two months of 2013, I updated these ten again, picking what I thought were the ten most damaging myths that writers believe in modern publishing.

An Important Note About This Book

In this book, I am only talking about commercial fiction. Nonfiction often has similar problems, and fiction written as a hobby has yet a different set of problems and myths.

But for this book, I am talking to writers who want to make a living with their fiction and sell a lot of copies, either through traditional publishers or through their own indie press.

So Who Am I to Try to Kill These Myths?

I think at one point or another since 1974, I fell into one or more of these myths, sometimes more than one at a time. Before I fell for the rewriting and writing slow myth, I wrote and sold two short stories and a lot of poetry in 1974 and 1975. Then I went down into the myths taught by college classes and didn't sell a thing for the next seven years.

Once I finally got out of those myths in 1982, I sold professionally over 200 short stories and wrote far more, and I have sold traditionally over 100 novels and written even more. I am considered one of the most prolific authors working at the moment.

During the years I was also an editor, starting as the first reader and publisher for Pulphouse Publishing in 1987, then staying a publisher as well as editing some lines for Pulphouse. I also helped my wife, Kristine Kathryn Rusch, at times as a first reader for The Magazine of Fantasy and Science Fiction.

In 1995 I started an almost three-year run as the fiction editor for VB Tech Magazine. Then in the late 1990s I also went to work for Pocket Books as the fiction editor for Star Trek: Strange New Worlds. I did that for ten years. Now I am one of the executive editors for Fiction River and often edit a volume myself. I was nominated five times for the Hugo Award for my editing.

And during all those years being a publisher and editor, I got to talk a lot with writers coming into the business. And all of them were dealing with one myth or another. Often a myth had them stopped cold.

In the late 1990s, Kris and I also started to teach, trying to help professional writers who were stuck to move forward in their careers. We've been doing that, as well as teaching online, since. Many, many of the writers we've helped were stuck in the myths.

So I hope this book helps you with your writing. I'll be happy to answer questions on my website at And I am writing more Killing the Sacred Cows chapters there, so stop by and join in the fun.

Two Important Points

I will repeat this over and over throughout this book. But I want to be clear right up front here.

1… Every writer is different.

2… And if you can't enjoy your writing, what is the point?

Now off into the myths of fiction writing. There are a lot of them.

In this book I've tried to take a pretty good shot at the top ten.


—Dean Wesley Smith

January 5, 2014

Lincoln City, Oregon