In addition to Morpho, Philip Palmer is the author of five science fiction novels: Debatable Space, Red Claw, Version 43, Hell Ship and Artemis, published by Orbit Books in the UK and US. His other books include the epic novel Hell on Earth and the novella Murder of the Heart, both published by Hell Books.

He is also a prolific radio dramatist, screenwriter and film producer. His plays for BBC Radio 4 include: Gin and Rum, Marco Polo, The King's Coiner, and The Faerie Queen. For television he has written more than a dozen episodes of The Bill, as well as several single dramas – The Hanging Garden (for the series Rebus), and The Many Lives of Albert Walker, a single film for BBC 1. His feature film The Ballad of Billy McCrae, a Welsh film noir starring David Hayman, Ian Virgo and Sianad Gregory, was released across the UK in 2021.

Morpho by Philip Palmer

When the corpse on the mortuary slab sits up and speaks to Hayley, asking for her help, she thinks she's losing her mind. If only it were that simple… Hayley soon finds herself immersed in dangers she never dreamed of as she is plunged into a millennia-old conspiracy involving aliens, immortals, and a secret society entrenched within the highest levels of government.

Set a challenge to write a novella to the theme of 'The Alien Among Us', distinguished novelist, screenwriter, and radio dramatist Philip Palmer has come up trumps. In Morpho, he delivers a tale of the here and now that draws the reader into a subverted reality where the privileged govern from the shadows, where immortality has been bought at a horrific price, and a rebellion is brewing that threatens to undermine the social order of our entire world.

CURATOR'S NOTE

I adore everything Philip writes, and am delighted to introduce you to his magical madness if you haven't experienced it before! – Lavie Tidhar

 

REVIEWS

  • "Morpho is a rollicking, adrenaline shot of a ride with a high body count and liberal amounts of gore. Hayley is a wonderful protagonist, and it's a credit to Palmer that he doesn't reduce her down to an in-your-face-take-no-shit cliché, with her shaven head and numerous tattoos. She is often angry, cynical, and wary of men (for good reason), but she's also trying to figure out what to make of her life. It's Hayley who anchors this crazy story of blood, guts, and alien possession."

    – Locus
  • "This is an extraordinarily different story about aliens who have been living among humans for thousands of years, with the knowledge of some humans, but at a terrible price. It's also a story of enduring love. The writing is gripping and the story fast paced… All of the characters are interesting, and have their own, well-defined back stories. I'm truly impressed with this novella and am curious to check out more by this author."

    – LibraryThing Reviewer
 

BOOK PREVIEW

Excerpt

Hayley was mopping blood off the floor.

That was a big part of her job, it seemed. Keeping the mortuary clean. Wiping off blood and bodily seepage. Spraying surfaces with disinfectant. She wore nose plugs some days. The sweet smell of death was with her always. It followed her home too. Even when she was in the bath, she could smell putrefaction through the scent of lavender bath oil. It was fortunate, she sometimes felt, that she was already a solitary misanthrope; otherwise this job would make her so.

The blood on the floor was not visible; there weren't huge gobbets of scarlet gore pooled upon the plastic parquet. But every time the pathologist cut open a body with an electric saw, colloids of plasma and flesh filled the air in an invisible miasma. So the floors had to be cleaned every day with immaculate care. The microscopic splashes couldn't be left to fester. The blood had to be mopped away.

Hayley wore a white coverall over her jeans and T-shirt. Her head was shaven. Every now and then she twitched her head, to reorient her lazy eye.

When Hayley was eight years old she had walked into a moving swing in the park, with bloody and painful consequences. After three days in what her Mam always called the 'hospital for stupid children', she was told she had to wear an eyepatch for six months. When the patch came off the eye had a mind of its own. She could see fine with it but it had a tendency to drift, to eerie effect.

When she was sixteen she had the huge tunnel piercings in her ears, which her Mam said made her look like a [racist expletive deleted]; and soon after that she started shaving her head. The nose piercings came next, then the tattoos, including a map of Terra Incognita on her left arm, and a more restrained blue butterfly on the soft skin under her chin.

Hayley was now twenty-six years old and no longer lived with her Mam, thank Christ; and she was wearing, beneath her mortuary-issue white coverall, on strict orders of the management, a long-sleeved top that covered the arm tattoos. The invisible blood on the floor was a bugger to get off but she was persisting.

She was thinking about songs she would sing if she could only sing. She was on stage at Glastonbury. In that context, her look was a killer. Her band was all girl and hardcore and they were playing driving chords. Hayley was singing Paranoid, and killing it. Her sister was in the crowd, crushed with jealousy. And –

She heard a sound – a groan? She ignored it. Another groan. The groan became a stifled scream.

She turned around.

The female corpse on the autopsy table was sitting up. Looking at Hayley, bold as brass. The corpse was a young woman – mid-twenties or thirties, Hayley guessed. Slim, verging on skinny, with ribs you could count. Her face was smashed in and disfigured by some terrible accident. Her mouth was open in a ghastly rictus, like a silent scream. And when she spoke, her lips barely moved.

This must be a try on. Is this bitch wearing horror movie makeup?

'Help me,' the dead woman said, softly.

The dead woman had raven black hair and very pale skin and Hayley realised that she must have been beautiful, when alive, and when her face was intact. She had a soft whispery voice. The voice said: 'Please, whoever you are, help me.'

No. No! This can't be happening. Maybe I fell asleep in front of the telly again? Hayley, wake the fuck up!

'Help me, please. People are coming for me. Bad people. I have to get out of this place. Help me. I'm begging you. Help!'

Hayley tried to scream but couldn't.

'Save my baby,' whispered the corpse and Hayley flinched.

The corpse's eyes rolled, and the body slumped back down on to the stainless steel dissecting table, and was once more inert.

And now, finally, Hayley screamed.