Richard Gavin explores the bond between dread and the sacred. He is the author of six collections of Horror fiction and several books of esotericism. He lives in Ontario, Canada.

Grotesquerie by Richard Gavin

Welcome to Richard Gavin's grotesquerie, where fear and faith converge in eerie and nightmarish tales of transcendent horror from a truly visionary writer. The highly anticipated new collection of macabre delights, that explores dark realms of the fevered, fecund mind, and visits strange landscapes and vistas. These are grim and grotesque tales of terror — modern Mysterium Tremendums — that open new doors of perception and reality.

CURATOR'S NOTE

•When it comes to weird horror short fiction, you'd be hard-pressed to find an author with more of a flair than Richard Gavin. His long career in the horror field has given him impeccable mastery of the genre and brutally impressive chops. Reading the stories in this collection will likely make you uneasy and disturbed, leaving you with unsettling memories that will linger long after you move on to lighter fare. Clearly, Richard is not content with leaving your notions of reality and self unchallenged or providing you with comforting platitudes and life-affirming story arcs. He has come to this bundle to shake you up, and I daresay he has attained his goal in remarkably creaative and nightmarish ways. – Robert Jeschonek

 

REVIEWS

  • "...richly articulated nightmares that will delight horror fans [...] will put readers in mind of both classic weird fiction and the supernatural mysteries of the 1970s."

    – Publishers Weekly on grotesquerie
  • "With this collection Gavin proves that he is still one of the most original practitioners of horror."

    – Rue Morgue magazine on grotesquerie
  • "Richard Gavin's short stories place him in a literary tradition — call it The Weird or The Uncanny — dating back to the pioneering works of Edgar Allan Poe, E.T.A. Hoffmann, Robert W. Chambers, and Arthur Machen […] Gavin draws on that rich tradition to finely craft his stories without resorting to pastiche or derivative retellings of familiar tropes of the weird. grotesquerie offers readers the chance to catch up with an author whose work has been celebrated in the horror community for some time now."

    – The Toronto Star on grotesquerie
 

BOOK PREVIEW

Excerpt

Kolkamitza turned his attention back to the door and peeked through its frame. The room it opened unto hosted a canopied bed, an armchair, and two dressers. There was also an uncovered picture window. Reassured by the stillness inside, he entered, and shone his flashlight against the window glass.

"Do you come bearing my supper?"

The voice lurched out from the far end of the room, where a second luxurious armchair was stationed before French windows. The window frames were white, which made them luminous as fresh bones against their view of compact soil, reminding Kolkamitza that this mansion was, somehow, deep underground.

"I'm…I…" sputtered Kolkamitza.

How had he not noticed that there was someone in here with him? The figure was so plain to him now; seated in its oversized chair, its body dressed in a sloppy heap of silks. Kolkamitza squinted to discern the face but to no avail. He was about to fix his light upon it but was somehow unable. It was not fear that prevented him, but a queer sense of propriety. He simply knew that such an action was not appropriate, not in this house.

The figure in the chair turned its head and now appeared to be staring intently at the window. Kolkamitza followed this example. What he witnessed was a chthonic constellation, a firmament not of stars but of wriggling worms and thickly crooked tree roots and pale weeds as fine as nerves.

"I already told them that I do not care for what they're serving today. They sent me here. I've been informed that I enjoy the view." The figure's voice was awful; a wet, lurching sound, like porridge bubbling in a pot. Kolkamitza turned again to scrutinize the speaker. Its head, now in profile, remained frustratingly obscured. Was it wearing a stocking over its head in the manner of a thief? No, there was no mask. But something was insinuating itself between the figure's face and Kolkamitza's gaze, something hazy, a fine mist that was the colour of ground thyme.